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Oscar® Nominee - Best Film, Best Director, Best Supporting Actress, Best Supporting Actor, Best Editing, Best Origina Screenplay

One of the most remarkable movies that I have ever seen. This isn't hyperbole.” –Huffington Post
Richard Linklater began filming this story of a family’s evolution in 2002, and for the next 12 years followed the story of a boy (Ellar Coltrane) and his sister (Lorelei Linklater), who are coping with the challenges of growing up with two divorced parents (Patricia Arquette and Ethan Hawke). An unprecedented work of commitment, BOYHOOD is also a universally resonant chronicle of the passage of time. (U.S., 164m, 2013, IFC Films, DCP)

Fri-Sun January 23-25
Monday-Thursday January 26-29

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Still Life

“**** … Deeply moving and richly rewarding–a film with incredible heart. Marsan is brilliant, his is a finely embodied, indelible performance deserving of every accolade … A tonic for the soil.” –Empire

For years, John (Eddie Marsan, Sherlock Holmes) has been responsible for finding and informing the next of kin that their relations have passed away alone. When he is downsized, John takes the time to fully immerse himself in an exploration of someone else’s family in a journey filled with mischief, misadventure, love and regret, including for Kelly (Joanne Froggatt, Downton Abbey), a long-lost daughter of the deceased. Winner of four awards at Venice, including Best Film and Best Director (for Uberto Pasolini, producer of THE FULL MONTY) and awards at Reykjavik and Edinburgh, this is s a funny, resonant and universal celebration of dignity, community values and human connection, and ultimately, all that life is worth living for. (U.S., 2014, 87m, Tribeca Film)

Friday-Thursday January 23-29

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Dying to Know: Ram Dass & Timothy Leary

In the 1960s, two conventional Harvard professors began probing the edges of consciousness. Over the next five decades, the two greatly impact modern thought, Timothy Leary as a counter-cultural legend and Richard Alpert as Ram Dass, a spiritual teacher. Gay Dillingham’s film, narrated by Robert Redford, offers an intimate portrait of an epic friendship, through life and into the next realm. (U.S., 2014, 95m)

Friday-Thursday January 23-29

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Son of a Gun

“Terrific, taut, tense, balls-to-the-wall action heist film … Tough-minded and gutsy at every turn.” –3aw

A rookie criminal (Brenton Thwaites) makes a deal with a pro (Ewan McGregor), and is pulled into a dangerous world of high-stakes crime, including a major heist. But who can he trust? This wild first feature from the Cannes-winning short film director Julius Avery is a wild genre film that signals a great new talent from Australia. (Australia, 2014, 108m, A24, DCP)

Friday-Thursday January 23-29

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The Homesman

Lyrical and shocking, weirdly funny and grimly serious, fronted by fine and wise … this beautifully crafted film intrigues as a story never told before and ratchets up dramatic interest through a succession of unexpected turns.” ­–Hollywood Reporter

Tommy Lee Jones directs, co-writes (with Taos’s Kieran Fitzgerald) and co-stars in this adaptation of Glendon Swarthout’s novel about a stalwart, sensitive prairie spinster. Mary Bee (Hilary Swank) tries to lead three neighboring farm wives addled by grief and despair back East to care and safety, joined by George (Jones), a snaggle-toothed, middle-aged Huck Finn who is simultaneously comic and unpredictably dangerous. The phenomenal supporting cast includes John Lithgow, James Spader, Tim Blake Nelson, Miranda Otto and Meryl Streep. But perhaps the biggest star is New Mexico, with its starkly beautiful landscapes (shot by the Oscar-nominated Rodrigo Prieto, BIUTIFUL, BROKEBACK MOUNTAIN), which have never looked as glorious. (U.S., 2014, 122m)

Saturday January 24
Monday-Thursday January 26-29


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Oscar® Nominee - Best Documentary

After years researching her film about our increasingly surveillance nation, MacArthur Genius Fellowship and Pulitzer Prize recipient Laura Poitras began receiving encrypted e-mails from someone identifying himself as "citizen four," who was ready to blow the whistle on the massive covert surveillance programs run by U.S. intelligence agencies. In June 2013, she and Glenn Greenwald flew to Hong Kong for the first of many meetings with the man who turned out to be Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes. (U.S., 2014, 118m, DCP, Radius TWC)

Friday-Sunday January 23-25

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She's Beautiful When She's Angry

Intensely relevant and timeless.” –Examiner

Mary Dore’s film offers a provocative and rousing look at the women’s movement of the 1960’s, as seen through the eyes of grassroots organizers across the country. Alternatively thrilling, scandalous, and hilarious, the documentary tells the story of a revolution for equal pay, a right to child care, and not least, sexual freedom. These battles are still being fought. (U.S., 2014, 92m, International Film Circuit)

Monday-Thursday January 26-29