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Untitled (Just Kidding)

–Recent works by Jesse Malmed

Santa Fe native but Chicago-based artist and curator Jesse Malmed presents a selection of recent experimental shorts. While unexpecting the expected, viewers can look forward to bodyswaps, closed captioning seeking sentiences, cloud covers, singtalk, the sitcom set and séance nonfictions. By turns comedic and poetic, Jesse's work practices sustainable sourcing, utilizing a wide-range of materials from his own camera, vigorous and elliptical research practices and the ever-growing archives of the arcane, avant and popular. Artist present!
     Jesse Malmed's work in moving images, performance, text, occasional objects and their overlaps and gaps have found temporary homes at museums, festivals, basements, bars and barns throughout the world. He co-directs the mobile exhibition space and artist bumper sticker project Trunk Show, programs experimental work at the Nightingale Cinema and writes about art for a variety of spaces. A graduate of Bard College and the University of Illinois at Chicago, he was named one of Newcity's Breakout Artists of 2014.

8:00p Tuesday, December 23!

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The Babadook

Delivers real, seat-grabbing jolts while also touching on more serious themes of loss, grief and other demons that can not be so easily vanquished.” –Variety

A young widow is alone and at a loss with what to do with her six-year-old son, who is having frightening visions, heightened with the arrival of a creepy storybook. As the boy’s hallucinations spin out of control, his mother medicates him. But what if the visions are real? Jennifer Kent’s debut film, one of the hits at Sundance, has crafted an old-school horror film with a rich and convincing psychological core. (Australia, 2014, 93m, DCP, IFC Films)

Monday-Tuesday December 22-23
Friday December 26
Sunday-Tuesday December 28-30

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The Homesman

Lyrical and shocking, weirdly funny and grimly serious, fronted by fine and wise … this beautifully crafted film intrigues as a story never told before and ratchets up dramatic interest through a succession of unexpected turns.” ­–Hollywood Reporter

Tommy Lee Jones directs, co-writes (with Taos’s Kieran Fitzgerald) and co-stars in this adaptation of Glendon Swarthout’s novel about a stalwart, sensitive prairie spinster. Mary Bee (Hilary Swank) tries to lead three neighboring farm wives addled by grief and despair back East to care and safety, joined by George (Jones), a snaggle-toothed, middle-aged Huck Finn who is simultaneously comic and unpredictably dangerous. The phenomenal supporting cast includes John Lithgow, James Spader, Tim Blake Nelson, Miranda Otto and Meryl Streep. But perhaps the biggest star is New Mexico, with its starkly beautiful landscapes (shot by the Oscar-nominated Rodrigo Prieto, BIUTIFUL, BROKEBACK MOUNTAIN), which have never looked as glorious. (U.S., 2014, 122m)

Monday-Tuesday December 22-23
Wednesday December 24
Friday-Tuesday December 26-30
Wednesday December 31


The King and The Mockingbird

"A masterpiece of animation and imagination … fans of Studio Ghibli will thrill to the tenderly explored themes – class, nature, love, grief – and poetic, witty visuals.” –Total Film

This wildly satirical Hans Christian Andersen adaptation, which follows a chimney sweep and shepherdess on the run from a tyrannical king, was started in 1947, taken from its creators and finished by the producers in 1953, and then finally completed by the creative team as intended in 1979. A classic of Disney-like proportions in France, it can finally be seen in the U.S. The directors XX Grimault and Jacques Prevert (whose credits include the masterpieces CHILDREN OF PARADISE) turn their tale into a wondrous journey, suitable for parents and children. Hiyao Miyazaki cites it as the inspiration for starting his Studio Ghibli (and the influence on THE IRON GIANT is very clear!) . (France, 1953/1980, 82m, DCP, Rialto Pictures)

Monday December 22
Wednesday December 24
Friday-Wednesday December 26-31

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After years researching her film about our increasingly surveillance nation, MacArthur Genius Fellowship and Pulitzer Prize recipient Laura Poitras began receiving encrypted e-mails from someone identifying himself as "citizen four," who was ready to blow the whistle on the massive covert surveillance programs run by U.S. intelligence agencies. In June 2013, she and Glenn Greenwald flew to Hong Kong for the first of many meetings with the man who turned out to be Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes. (U.S., 2014, 118m, DCP, Radius TWC)

Monday-Tuesday December 22-23
Friday-Tuesday December 26-30

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National Gallery


“A great, great film. However long it is since you last climbed the gallery’s steps, you’ll watch this truly inspiring piece of work and rue the interval.” –Tim Robey, The Telegraph

The legendary Frederick Wiseman (“America’s greatest living filmmaker,” The Notebook) provides his latest behind-the-scenes exploration. This London institution is a museum inhabited by masterpieces of Western art from the Middle Ages to the 19th Century. NATIONAL GALLERY is the portrait of a place, its way of working and relations with the world, its staff and public, and its paintings. In a perpetual and dizzying game of mirrors, film watches painting watches film. (U.S.-U.K., 2014, 180m, digital video, mTuckman Media)

Monday-Wednesday December 22-24

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Santa Fe Jewish Film Festival: Flix and Chopstix


“…the dreaminess of a fairytale…” –The New York Times

Director Joan Micklin Silver (“Hester Street”) brings a bittersweet note and touching humor to the screen in "Crossing Delancey". Intellectually sophisticated Isabella (Amy Irving) is introduced to Sam, the pickle vendor, (Peter Riegert) in this memorable movie that at its heart is a story of modernity versus tradition. This perennial audience favorite will become yours too.

"Crossing Delancey" is part of the Santa Fe Jewish Film Festival’s Flix & ChopStix, a Christmas day celebration of comedy and Chinese Food. Film tickets available at CCA. Film and dinner packages available at

2:10p & 4:00p Thursday, December 25 only!

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Santa Fe Jewish Film Festival: Flix and Chopstix


“Woody Allen’s classic comedy” –Slant Magazine

Woody Allen’s "Annie Hall" unites the neurotic and romantic Alvy Singer (Woody Allen) with the ditsy Annie Hall (Diane Keaton) in this semi-autobiographical portrait of a love affair filled with Allen’s trademark paranoia and zany humor. Considered to be one of Allen’s best films, the “lobster scene” alone is a comedy classic.

"Annie Hall" is part of the Santa Fe Jewish Film Festival’s Flix & ChopStix, a Christmas day celebration of comedy and Chinese Food. Free supervised programming for children ten and under with paid adult admission to the film. Film tickets available at CCA. Film and dinner packages available at

2:00p Thursday, December 25 only!

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Santa Fe Jewish Film Festival: Flix and Chopstix


“ … roaring, over-the-top performances …”–Boston Globe

If you didn’t see The Producers when originally released in 1968, you are in for a treat, and if you did see it then, it is just as good if not better the second time around. The late Roger Ebert called The Producers with Zero Mostel “one of the funniest films ever made”. This Mel Brook’s spoof of the Broadway stage was Brooks first film and one that broke boundaries when it first premiered.

The Producers is part of the Santa Fe Jewish Film Festival’s Flix & ChopStix, a Christmas day celebration of comedy and Chinese Food. Film tickets available at CCA. Film and dinner packages available at

4:10p Thursday, December 25 only!